i am armed with the past and the will and a brick (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
robotsfighting) wrote2012-03-04 11:45 pm
robotsfighting) wrote2012-03-04 11:45 pm
Entry tags:
Glee Master List
Only A Northern Song | G | Kurt, Finn | Kurt takes a detour and reenacts a childhood ritual. Takes place during Grilled Cheesus.
Paper Tigers | PG | Brittany, Kurt/Blaine | Brittany visits Kurt at Dalton to ask for his help. Kurt tries his best. Blaine has followup questions. Takes place a few weeks after Original Songs.
We Found Each Other In The Dark | PG-13 | Kurt/Blaine, Jeff | When Kurt and Blaine have an argument after prom, Jeff talks Blaine through to a logical conclusion, and Blaine tries to fix what he can. Prom Queen.
Bright Things | PG | Kurt, Sam, Blaine | A conversation in the cold with Sam, a conversation in the warmth with Blaine, and literary references. Rumours.
They Slip Away (Across The Universe) | PG | Kurt/Blaine | "It reminds you of your mom's funeral, doesn't it?" Kurt and Blaine after the titular funeral. Funeral.
All The Glory Of | G | Kurt/Blaine | "I'm going to worry later, but right now I'm too happy for you." After the meeting with Figgins, Kurt comes back to Dalton and finds Blaine to tell him about what happened. Born This Way.
And I Was A Cartographer | G | Kurt/Blaine | Kurt is half-asleep. Blaine could never really be annoyed by this. (Otherwise known as straight-up cuddles, some time after Original Songs but before Born This Way.)
With Love And Squalor | PG | Kurt/Blaine, Mercedes, David Warbler | Blaine's quiet, sudden declaration in the Lima Bean is as unexpected to Kurt as it is terrifying. Interventions ensue. New York.
My Heart Stumbles | PG | Blaine/Kurt | Blaine introspection. A moment in summer with Kurt, looking back at the things that have brought him to this point.
The Cosmos Is Also Within Us | PG | Kurt/Blaine | On Kurt's last night at Dalton, Blaine takes him stargazing. Love, history, and science.
Ready To Start | PG | Warning: discussion of depression symptoms | Quinn, Kurt/Blaine, New Directions | Quinn isn't good at being with people; a moment with Kurt and Blaine through Quinn's eyes, and her own problems coming to the surface.
When You Find Your Way Back Down | PG | Kurt, Blaine, Finn | After Rachel's party, Kurt and Blaine come back to Kurt's house. Blaine has no filter when he's drunk, but he still can't say everything. Blame It On The Alcohol.
Take Instead The Ram | PG | Blaine, Kurt | Warning: A history of basic emotional neglect, quiet homophobia | Blaine runs away from the things that scare him, and Kurt chases after him. Takes place some time between Silly Love Songs and Blame It On The Alcohol.
And The Songbirds Keep Singing | PG-13 | Santana, OC (Santana's grandfather) | Warning: fear of and thoughts about homophobia | She walks on the curb like it’s a balance beam, one flip-flopped foot swinging carefully in front of the other, her arms out to balance her, fingers splayed. She doesn’t care if she looks ridiculous, because it feels good. It feels young, like when things were always at least mostly okay.
I Always Believed In Futures | PG | Kurt/Blaine, Mercedes | Kurt and Blaine have the conversation about New York. Blaine remains bad at timing things. Kurt continues to benefit from that.
Thank You, Mario, But Our Princess Is In Another Castle | PG | Blaine, OC (Joseph, Blaine's Dalton roommate) | Blaine's roommate is kind of a Nerd Sage; he doesn't look the part, but he gives extremely good advice. After his conversation on the first day of school with Kurt in the Lima Bean, Blaine goes to Joseph, and they talk about Princess Peach, Bowser, and the Kobayashi Maru. The Purple Piano Project.
nobody, not even the rain | PG-13 | Kurt/Blaine | Kurt and Blaine listen to a summer storm from the safety of Kurt's porch; some kissing, some conversation. "My dad used to take me outside during storms."
In Our Wheels And Our Hearts | PG-13 | Finn, Kurt | Kurt and Finn have a conversation neither of them is very comfortable with, all while playing a video game. The First Time.
A Way Of Repeating Itself | PG-13 | Blaine, Finn | After hearing what’s happened to Santana, Blaine walks out of the auditorium, and Finn follows him. Mash-Off.
It's Dangerous To Go Alone (Take This) | G | Kurt/Blaine, Joseph (OC) | Blaine and Joseph are terrible at chess, but slightly better at talking about Blaine's feelings. Blaine gives Kurt a gift. Michael.
Pass The Salt, I'm Glad You're Here | G | Finn+Blaine (friendship), Kurt/Blaine | Sometimes Finn says things that make people really happy, and it's a complete accident, but he still likes it.
Since The Day We Found You | PG | Blaine/Kurt, Hummel-Hudsons | The Hummel-Hudson house feels like home to Blaine, in a way that his own house never has.
Hoppípolla (But You Are Standing) | PG | Blaine/Kurt | The most important thing about New Directions is its heart. Kurt worries that it could change; Blaine won't let it. (A conversation at dawn, in the summer, a while before Kurt leaves for New York.)
Stay Lost On Our Way Home | PG | Blaine+Tina (friendship), Blaine/Kurt, Wade (Unique), Harmony, Rachel, Artie, Sugar, Joe | How Blaine Anderson and Tina Cohen-Chang became the new glee power couple (in a totally platonic way).
Waterbead | PG | Kurt, Blaine | “I’ve had less awkwardly-staged heart-to-hearts.” (Set just after 2.09, Special Education.)
What a Lark, What a Plunge | G | Blaine/Kurt | Blaine attempts to work on his summer reading book, but mostly just falls asleep outside in the sun. Kurt helps facilitate that, sort of. (Summer between S3 and S4. No spoilers.)
Somebody Kind | G | Blaine/Kurt | Kurt is sick; Blaine is very insistently helpful. (Takes place some time between Asian F and The First Time.)
Knight Errant | PG | Blaine, Kurt | How Blaine's school photo ended up in Kurt's locker.
Paper Tigers | PG | Brittany, Kurt/Blaine | Brittany visits Kurt at Dalton to ask for his help. Kurt tries his best. Blaine has followup questions. Takes place a few weeks after Original Songs.
We Found Each Other In The Dark | PG-13 | Kurt/Blaine, Jeff | When Kurt and Blaine have an argument after prom, Jeff talks Blaine through to a logical conclusion, and Blaine tries to fix what he can. Prom Queen.
Bright Things | PG | Kurt, Sam, Blaine | A conversation in the cold with Sam, a conversation in the warmth with Blaine, and literary references. Rumours.
They Slip Away (Across The Universe) | PG | Kurt/Blaine | "It reminds you of your mom's funeral, doesn't it?" Kurt and Blaine after the titular funeral. Funeral.
All The Glory Of | G | Kurt/Blaine | "I'm going to worry later, but right now I'm too happy for you." After the meeting with Figgins, Kurt comes back to Dalton and finds Blaine to tell him about what happened. Born This Way.
And I Was A Cartographer | G | Kurt/Blaine | Kurt is half-asleep. Blaine could never really be annoyed by this. (Otherwise known as straight-up cuddles, some time after Original Songs but before Born This Way.)
With Love And Squalor | PG | Kurt/Blaine, Mercedes, David Warbler | Blaine's quiet, sudden declaration in the Lima Bean is as unexpected to Kurt as it is terrifying. Interventions ensue. New York.
My Heart Stumbles | PG | Blaine/Kurt | Blaine introspection. A moment in summer with Kurt, looking back at the things that have brought him to this point.
The Cosmos Is Also Within Us | PG | Kurt/Blaine | On Kurt's last night at Dalton, Blaine takes him stargazing. Love, history, and science.
Ready To Start | PG | Warning: discussion of depression symptoms | Quinn, Kurt/Blaine, New Directions | Quinn isn't good at being with people; a moment with Kurt and Blaine through Quinn's eyes, and her own problems coming to the surface.
When You Find Your Way Back Down | PG | Kurt, Blaine, Finn | After Rachel's party, Kurt and Blaine come back to Kurt's house. Blaine has no filter when he's drunk, but he still can't say everything. Blame It On The Alcohol.
Take Instead The Ram | PG | Blaine, Kurt | Warning: A history of basic emotional neglect, quiet homophobia | Blaine runs away from the things that scare him, and Kurt chases after him. Takes place some time between Silly Love Songs and Blame It On The Alcohol.
And The Songbirds Keep Singing | PG-13 | Santana, OC (Santana's grandfather) | Warning: fear of and thoughts about homophobia | She walks on the curb like it’s a balance beam, one flip-flopped foot swinging carefully in front of the other, her arms out to balance her, fingers splayed. She doesn’t care if she looks ridiculous, because it feels good. It feels young, like when things were always at least mostly okay.
I Always Believed In Futures | PG | Kurt/Blaine, Mercedes | Kurt and Blaine have the conversation about New York. Blaine remains bad at timing things. Kurt continues to benefit from that.
Thank You, Mario, But Our Princess Is In Another Castle | PG | Blaine, OC (Joseph, Blaine's Dalton roommate) | Blaine's roommate is kind of a Nerd Sage; he doesn't look the part, but he gives extremely good advice. After his conversation on the first day of school with Kurt in the Lima Bean, Blaine goes to Joseph, and they talk about Princess Peach, Bowser, and the Kobayashi Maru. The Purple Piano Project.
nobody, not even the rain | PG-13 | Kurt/Blaine | Kurt and Blaine listen to a summer storm from the safety of Kurt's porch; some kissing, some conversation. "My dad used to take me outside during storms."
In Our Wheels And Our Hearts | PG-13 | Finn, Kurt | Kurt and Finn have a conversation neither of them is very comfortable with, all while playing a video game. The First Time.
A Way Of Repeating Itself | PG-13 | Blaine, Finn | After hearing what’s happened to Santana, Blaine walks out of the auditorium, and Finn follows him. Mash-Off.
It's Dangerous To Go Alone (Take This) | G | Kurt/Blaine, Joseph (OC) | Blaine and Joseph are terrible at chess, but slightly better at talking about Blaine's feelings. Blaine gives Kurt a gift. Michael.
Pass The Salt, I'm Glad You're Here | G | Finn+Blaine (friendship), Kurt/Blaine | Sometimes Finn says things that make people really happy, and it's a complete accident, but he still likes it.
Since The Day We Found You | PG | Blaine/Kurt, Hummel-Hudsons | The Hummel-Hudson house feels like home to Blaine, in a way that his own house never has.
Hoppípolla (But You Are Standing) | PG | Blaine/Kurt | The most important thing about New Directions is its heart. Kurt worries that it could change; Blaine won't let it. (A conversation at dawn, in the summer, a while before Kurt leaves for New York.)
Stay Lost On Our Way Home | PG | Blaine+Tina (friendship), Blaine/Kurt, Wade (Unique), Harmony, Rachel, Artie, Sugar, Joe | How Blaine Anderson and Tina Cohen-Chang became the new glee power couple (in a totally platonic way).
Waterbead | PG | Kurt, Blaine | “I’ve had less awkwardly-staged heart-to-hearts.” (Set just after 2.09, Special Education.)
What a Lark, What a Plunge | G | Blaine/Kurt | Blaine attempts to work on his summer reading book, but mostly just falls asleep outside in the sun. Kurt helps facilitate that, sort of. (Summer between S3 and S4. No spoilers.)
Somebody Kind | G | Blaine/Kurt | Kurt is sick; Blaine is very insistently helpful. (Takes place some time between Asian F and The First Time.)
Knight Errant | PG | Blaine, Kurt | How Blaine's school photo ended up in Kurt's locker.
no subject